Well, I missed a week.
You know what I like about this song?
It starts with a sample from Dexter’s Lab!
But in all serious, there’s quite a bit to love with this song.
Poems, Essays, and More.
Well, I missed a week.
You know what I like about this song?
It starts with a sample from Dexter’s Lab!
But in all serious, there’s quite a bit to love with this song.
Well, I’ll start this one with a bit of a confession. I love metal.
Thrash metal is one of my favorite sub-genres of metal.
But…
I don’t really like Slayer all that much.
Maybe it’s the lyrics. I found some of them to be so horror inspired that they wrap around to just cheesy.
However, A few of their songs are standouts, not just for themselves, but for metal as a genre. Two songs that come to mind are Chemical Warfare and Seasons In The Abyss.
As picky as I am when It comes to metal, this Slayer song is one of my overall favorites.
It’s slower, but still thrashy sound is probably one of the reasons I like it so much.
One of my favorite genres of metal is doom metal, with it’s slower, heavy riffs. It lends itself to a more introspective sound, for lack of a better term. The opening riff of this song, combined with Dave Lombardo’s rolling drum fills sets the tone for a more interesting and textured Slayer song.
Also, I included the music video, famously filmed in Egypt around Ancient Egyptian ruins.
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Song A Week Three: Groove is In The Heart
Really, there’s not much I can say about this song. If you have even a surface level of dance music, you’ve probably heard Groove is In The Heart. Released on the album World Clique in 1990 by Deee-Lite, Groove is In The Heart was, by far, Deee-Lite’s biggest hit.
It’s not hard to see why it was such a hit, with catchy Lyrics by Lady Miss Kier, music by DJ Towa Towa and DJ Dmitry, & stellar guest roles by Bootsy Collins and Q-Tip, this song is a classic. However, this only scratches the surface of what actually makes this song great.
I think a big part of this song is the video, which have included below. The psychedelic visuals of background, combined with the throwback outfits influenced by the New York drag scene of the late 1980s (check those platforms!). With a funky hook sampled from a decidedly undancy song by Herbie Hancock, Deee-Lite, along with their featured, saxophonist Maceo Parker and Fred Wesley on trombone creates a fun throwback dance track.
I honestly have this song stuck in my head at least once a week.
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Would? the final track from Alice in Chains sophomore album Dirt, is one of my favorite songs, simple as that.
Well, it’s not that simple.
I find so much to like about this song and Alice in Chains as a band. The vocal harmonies of Layne Staley and Jerry Cantrell (and Cantrell’s harmony with William DuVall) are some of the best in rock music.
Furthermore, the drumming of Sean Kinney and the bass playing of Mike Starr and Mike Inez cannot go unstated, especially when it comes to this song. Starr’s bass playing kicks of the song, creating a certain mood. Combined with Kinney’s rolling drum beats, Cantrell’s guitar and the vocals, a great song comes to life.
Before I go further, I should talk about some background. Would? was intended as a tribute to the singer of Mother Love Bone, Andrew Wood, who tragically died at 24.
This song was also recorded earlier than the rest of the album, being featured on the Cameron Crowe film Singles. In turn, Cameron Crowe would be one of the co-directors of the the music video.
The lyrics, dark and question, worry about the future. The lyrics can be seen as facing the problems with drug addiction and try to toe the line. I can relate to the song in some ways, not due to addiction issues, but with mental health.
In particular:
Am I wrong?
Have I run too far to get home?
Have I gone?
And left you here alone?
I feel this sometimes, feeling like I may end up accidently abandoning friends fighting my own mental health and working like hell to keep those friendships. My point is, many people can find different meanings from a song.
Also, this song just sounds really good. It’s really catchy in spite of it’s darker lyrics.
(For your viewing pleasure, I have included both the original video and the unplugged version.)
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To start off my (frankly ridiculous task) of trying to talk about a song a week, I’m starting off with a lighter and more fun track. Mistadobalina, the on Del tha Funky Homosapien’s debut album, I Wish my Brother George Was Here was one of the first tracks I heard when I was trying to diversify my musical tastes. So I figured it would be a good song to start with. All of the songs I am going to write about, I have some sort of connection, as simple as that I just enjoy it, to more complex reasons.
In this case, I enjoy this song immensely, along with it’s influence on my musical taste.
Now that I’m done rambling, lets go through some history and talk about the actual song!
After writing lyrics for his cousin Ice Cube as a teenager, Del the Funky Homosapien would release I Wish My Brother George Was Here at the age of eighteen. Reflecting their working relationship, Ice Cube would help produce the album, as well as contributing vocals and ad-libs. Along with Ice Cube, the album was produced by Del and the Boogiemen (a group of music producers). Taking a somewhat different style of lyricism than typical Bay Area hip-hop of the early, Del’s lyrics tend to more reflect the burgeoning Alternative Hip-Hop style, with a much different lyrical focus than his cousin. Mistadobalina, for example, is built around a sample from the Monkee’s song Zilch, a bizarre track in it’s on right. In Del’s own words, “I just kind of conceptualized who Mr. Dobalina would be which is basically somebody who thinks he know what hip, he think he cool, but he’s really right off. Like he ain’t right on — he right off.”
Mistadobalina is not a guy you wanna be friends with. Del describes a man who desperately wants to be friends, but every fiber of their being seems dedicated to this in the most material, surface level ways. I think the lines near the end of the song best sum it up:
But what is funny is ya wanted to be down with my crew
But D-E-L is not down with any clowns or jesters
So I would suggest that you try to impress Uncle Fester, Dobalina
Because ya don’t impress me Dobalina
The style of dress is not the key Dobalina
It’s all in the mind and the heart, so you should start
By remembering ya gotta pay a fee Dobalina
I think this most captures the mood of the song, a kind of thesis statement that Del reached when he made up the character of Mistadobalina. I’m sure most of us have had to deal with a Mistadobalina at some point in their life. I hope I’m not one!
(And also this song is just fun. Also, I found an old, low budget music video for your viewing pleasure.) I hope you like this, and I hope I can actually do 51 more of these.
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Spike Lee’s 1989 film Do the Right Thing has left an undeniable mark on US cinema. However, I feel that his films can be a blind spot for many white filmgoers, including myself until recently. Of Spike Lee’s filmography, I believe Do the Right Thing is required watching, particularly for white Americans like myself.
Informed by the Howard Beach incident and the killing of Eleanor Bumpurs, Do the Right Thing portrays a microcosm of a Bed-Stuy neighborhood during a very, very hot 1980s summer. The narrative focuses mainly on Mookie, played by Spike Lee, also starring Giancarlo Esposito, Rosie Perez, Danny Aiello, Bill Nunn, Joie Lee, and John Turturro. To summarize the plot in the most spoiler-free way possible, tensions rise over the course of a day in a Bed-Stuy neighborhood.
With exquisite cinematography by Ernest Dickerson that makes the heat of the summer integral to the viewing and Barry Alexander Brown’s editing, I found this film to be one of the greatest films of the 1980s.
The film portays a neighborhood, with all its flaws and prejudices, but also its love and relationships. Regardless of those individual prejudices, such as those shown in the montage scene, systemic racism and police violence is still an ever present threat, triggering the last 10 to 15 minutes of the film. Unfortunately, this is still relevent, with Spike Lee creating a new short film, mixing clips of finale of the film together with clips from the recent murder of George Floyd.
Of course this movie is more than just well made. It is, somehow, controversial. Following its release, several white critics implied, or outright stated, that Do the Right Thing would make black audiences riot. Absurd. We should ask what made these critics think this way. I know a simple answer.
Unlike Do the Right Thing, there are films that actually inspired violence, such as D. W. Griffith’s Birth of a Nation, which widely inspired the second wave of the Ku Klux Klan. Hell, white people have rioted over both wins and losses in sports. If anyone was going to riot over Do the Right Thing, it probably would have been white audiences.
I believe that white audiences should watch this film, and many other films by black directors, and analyze their feelings regarding those films. There are still films that I need to see myself.
Ways to Help:
https://blacklivesmatters.carrd.co/:Contains petitions, funds, and info that supports the Black Lives Matter Movement.
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